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the films of
Su Friedrich

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volume 2
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Damned If You Don'tTHE FILMS OF SU FRIEDRICH:
VOLUME 2

DAMNED IF YOU DON'T
a film by Su Friedrich
42 minutes, B&W, USA, 1987, 16mm

Languages: English, German

DAMNED IF YOU DON’T is Friedrich’s subversive and ecstatic response to her Catholic upbringing. Blending conventional narrative technique with impressionistic camerawork, symbols and voice-overs, this film creates an intimate study of sexual expression and repression. Featuring Peggy Healey as a young nun tormented by her desire for the sultry irresistible Ela Troyano.

PLUS BONUS FILMS:

Rules of the Road RULES OF THE ROAD
a film by Su Friedrich
31 minutes, Color, USA, 1993, 16mm

RULES OF THE ROAD is the story of a love affair and its demise through one of the objects shared by the couple: an old beige station wagon with fake wood paneling. Through spoken text, popular music and images from the streets of New York, RULES OF THE ROAD takes a somewhat whimsical, somewhat caustic look at how our dreams of freedom, pleasure, security, and family are so often symbolized by the automobile.

First Comes Love
FIRST COMES LOVE
a film by Su Friedrich
22 minutes, B&W, USA, 1991, 16mm

Friedrich’s film is a sumptuous and deeply felt examination of the timeless ritual of marriage. Gorgeous footage of four traditional weddings captures the emotional ambiguities of a cultural event with which everyone is familiar.

 

   

what they're saying

 

DAMNED IF YOU DON'T

"DAMNED IF YOU DON’T is a real prize. Beautifully shot in black and white, it blends conventional narrative technique with impressionistic camerawork, symbols and voice-overs to create an intimate study of sexual expression and repression. The film is as hypnotic as a dream."

Andrew Rasanen, BAY WINDOWS

"The film energizes feminist deconstruction by locating it within a context of at least two forms of (redirected) film pleasure: the excitement of melodramatic narrative and the sensuous enjoyment of cinematic texture, rhythm and structure."

Scott MacDonald, FILM QUARTERLY

“Passionate, genuinely innovative…a lyrical evocation of the mystery of memory and the development of sexual identity.”

Amy Taubin THE VILLAGE VOICE

RULES OF THE ROAD

"...the light, almost whimsical tone of the film should not blind us to the part of it that is irreducibly personal. Station wagons are everywhere; everybody's got a sad love story. But only one filmmaker, to my knowledge, has Su Friedrich's eye....With Rules of the Road, she creates a film like a perfect short story."

Stuart Klawans, THE NATION

“A study of the kind of separation anxiety that never makes it to the therapist, a funeral parade for a love that gets comically, and ironically, stuck in traffic.”

Susan Gerhard, SAN FRANCISCO BAY GUARDIAN

FIRST COMES LOVE

“Friedrich is able to convey a very complicated range of emotions with incredible precision. You want to get married, you’re freaked out by marriage. Gay or straight, you’re blown away!”

Sarah Schulman, Author, After Delores

"Throughout, Friedrich keeps a gracious distance, building a critique that doesn't patronize the very real, very naked emotion she captures. A virtuoso of clarity, Friedrich recasts the personal as political, makes the public curiously intimate."

Manohla Dargis, THE VILLAGE VOICE

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