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Gut Renovation
CHILDREN OF SRIKANDI
STILL AROUND
SEX IN AN EPIDEMIC
RIOT ACTS
gender redesign
She's a boy I knew
Cruel and Unusual
Rock Bottom
THE FILMS OF
SU FRIEDRICH

Pills Profits Protest
Tying the Knot

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New Releases

Gut Renovation GUT RENOVATION tells the inside story of the rezoning, demolition and repurposing of Williamsburg, Brooklyn. Friedrich details the heart-rending loss of a thriving community of working class residents and artists, as well as the loss of many beautiful old industrial buildings that accommodated hundreds of small businesses, manufacturers, and artists’ studios, including the eccentric communal loft which was her home for twenty years. Along the way, Friedrich slyly skewers the city planners, ad men, developers, architects and the new tenants they attract with their offers of tax-free luxury living “with a bohemian twist.
In CHILDREN OF SRIKANDI, participants collectively worked as crew members or actresses in each other’s film, with individual stories ranging from observational documentary and concept art to personal essay. We see that change is possible on all levels of the film: personal, political, and formal. Transformation is always inscribed in the narrative; form and identity are fluid; perspectives are shifted.
image STILL AROUND is a feature length compilation of 15 short films about HIV/AIDS that weaves a diverse slate of stories into one powerful video AIDS quilt of our times. By connecting well-known San Francisco Bay area filmmakers with individuals who are living with HIV/AIDS, the voices of women, men, gay and straight, transgender, young and old, and from many ethnic backgrounds come together to paint an unmatched emotional portrait of how people thrive and survive in the face of long term illness.
image RIOT ACTS is a 'trans-fabulous' rockumentary representing the multi-dimensional lives of transgender and gender variant musicians. A first-hand perspective of the intersections between gender performance and stage performance, Riot Acts suggests that identities and bodies are undeniably political, and the journey within a trans experience isn't always one of tragedy, but one of creativity and joy.
image SEX IN AN EPIDEMIC is a pioneering documentary about the history of “safer sex” in the United States. Few concepts have had as great an impact on sexuality over the past decade as that of “safer sex.” Yet, as a concept, it is important to remember two things: first, safer sex had to be invented amidst a terrifying lack of information that existed before the discovery of HIV. Secondly, safer sex as a concept had to be sold by the persistent and creative persuasion of community based groups all across the country. This ground-breaking film places the history of safer sex education on a trajectory with current HIV prevention while exploring the personal, political and structural challenges that have continually hampered the best efforts of HIV educators and community groups to curb HIV infection rates in the United States.
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Signs that everything wasn’t quite right came early and often for fAe. Though he was “born with girl parts,” a trip to the girls’ room on the first day of school was met with terrified screams. At age three, industrious little fAe dreamt of devising a synthetic penis, which he hoped would let him pee like a boy. Early on, fAe found some comfort in a lesbian identity but knew this was not his true self. Years of introspection led to the undeniable conclusion that fAe was a man mistakenly endowed with a woman’s body. His caring —but somewhat careless — brother notes that these biological errors simply occur sometimes, likening fAe’s condition to that of a boy from a recent magazine article he read—a boy born with fins for feet.

Witty, brave, and vulnerable, Haworth gave us the most affecting and memorable documentary of the year."
- Vancouver Magazine

"Haworth creates an emotional space that engulfs the viewer in a way that's extremely rare in any film, whether fiction or non-fiction."
- Kevin Griffin, The Vancouver Sun

Finding self-empowerment through self-representation, SHE’S A BOY I KNEW is a comic, heartbreaking, and uplifting autobiography that focuses on the interpersonal relationships of a family who unexpectedly find their bonds strengthening as they overcome their preconceptions of gender and sexuality.
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Most states separate prisoners by genitalia alone, so pre-op, transgender women are placed in men’s correctional facilities, where they find themselves vulnerable and preyed upon. CRUEL AND UNUSUAL is a frank, often unsettling documentary, that portrays the challenges faced by these women.
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ROCK BOTTOM follows the journeys of seven gay men struggling with an addiction to crystal meth, and their recovery efforts against a threatening backdrop of HIV infection. From grappling with the drug’s effects on their physical and mental health to wrestling with their darkest sexual desires and sensitive identity issues, ROCK BOTTOM delivers a chilling portrait of a community in crisis.
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Since the 1970's, Friedrich' skillful mix of experimental narrative and documentary forms, filled with provocative feminist and lesbian themes, has made her a groundbreaking member of the avant-garde film community and a pivotal force in the establishment of Queer Cinema. This collection of DVDs includes the filmmaker's classic works such as SINK OR SWIM, HIDE AND SEEK, THE TIES THAT BIND, DAMNED IF YOU DON'T, and THE ODDS OF RECOVERY, as well as EIGHT BONUS FILMS.
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PILLS PROFITS PROTEST: CHRONICLE OF THE GLOBAL AIDS MOVEMENT is an up-to-the minute documentary about AIDS treatment activism. It examines the national and international grass roots response to an epidemic that has already overshadowed the Black Death in terms of human lives lost. The demand for access to affordable treatment for 40 million people living with HIV, most of whom live in poor countries, represents one of the most successful political movements of contemporary history.
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